R
E V I E W S !
SCREAMING
LORD SUTCH AND THE SAVAGES-
Midnight Man EP (Raucous Records)
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Crowned
the king of horror rock'n'roll, Screaming Lord Sutch has a lot of outrageous
antics on his conscience. His musical career spawned classics like "Jack
the Ripper", while his venture into politics (!) lead to him being
self-appointed leader of the "Monster Raving Looney Party".
This EP presents three unreleased cuts and slices from his early 80's
era that show further evidence of the fella's insanity, featuring plenty
of full-moon howlin', deathbed rattlin' and coffin shufflin'. Never knew
guts'n'blood could be this fun!
THE
BLASTER MASTER-
Skandinista
(Megamania)
Feminist
icon Emma Goldman once said something like "If I can't dance
to it, it's not my revolution".
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She wouldn't
have any problems with these guys, because Finlands' slickest rudeboys
have cooked up one hell of a floorfiller. But these guys are instead making
revolution with their highly danceable beat and cartoonish sound. Kinda
like watching the Disney show with a skinhead Donald, a rastafarian Mickey
and a mohicaned Goofy getting together for a pint.
The melodies are unforgettable, singer Zakke Cuba's voice is... distinct,
and the lyrics are thoughtful yet fun... can things get any better? Hasta
la musica siempre!
THE
INCITERS-
Doing Fine (Elmo Records)
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While most musical
styles have their revivalist bands, be it ska, surf, rockabilly whatever,
the northern-soul scene have conservatively kept on spinning their dusty
60's vinyl. Until now, that is, because here come The Inciters with a full-fledged
modern floorstomper, sporting the traditional hard-mod look and attitude.
And that's what distinguishes them from The Commitments � this is sharply
targeted at the underground mod scene. With a monstrous 11-piece line-up,
featuring one hell of a deep-throated vocalist and a supreme (sic) female
vocal trio, this could almost be taken for any 60's act. With a band so
concerned with being right', that should be taken as a huge compliment.
THE
EXPLORERS-
Fight (Like a Shot Records)
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These five
Frenchmen are exploring the sounds of the 60's rocksteady/reggae era,
and are trying the best they can to recreate the sounds of the crooked
alleys of Kingston (or the bootboy quarters of 69's East London).
Unfortunately they are let down by misplaced bass-lines, dull tunes, and
a singer who sounds like he's been handpicked straight from the Muppet
Show. Kind of like an old tractor getting stuck deep in the mud, struggling
to get loose.
DAVE
BARKER & THE SELECTER-
Kingston
Affair (Moon
Ska Europe)
Now
here's two names that should be familiar to any self-respecting
ska-fan
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- Dave Barker
being a symbol for the short-lived skinhead reggae period, and The Selecter,
the heroes of the 2-tone years a decade later.
In 2000 they team up to create an eclectic mix, featuring Barker's characteristic
yells and shouts and Martin Stewart's hammond shuffling. The result is
a dubby, hard-edged piece of reggae, featuring Barker's essential classics
like "Double Barrel" and "Monkey Spanner", a Lee Perry
cover, as well as lots of new material.
EX-CATHEDRA-
Forced Knowledge (Moon
Ska Europe)
Moon
Ska - Once
at the forefront of the ska-music business, are now stuck in serious
financial debts and the result is releases like this one.
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Ex-Cathedra
belong to the squatter/anarcho-punk scene of Glasgow with bands like Oi
Polloi, and this has had a serious influence on their heavily disguised
ska-sound. More a crust/HC/punk band than anything else, the scummy punks
of Ex Cathedra should quit hitting on the sharp-dressed rudegirls, and
realise that such a marriage will be doomed from the start.
THE STAND-
Pointofview (Jump Up Records)
The Stand
have their roots in the midwest ska-scene, but have refined their sound
into a mod/punk/soul mix not unlike The Pietasters, or perhaps Dexy's
Midnight Runners, featuring a distinct hammond organ. So far so good,
but what the band really lacks is good singers.
Their boy/girl harmonies are not disturbing, but the soul genre very much
rests on a powerful vocal tradition, which in the end makes their vocals
a letdown. Regardless, I think The Stand can probably boost a hell of
a party at any scooter gathering!
FRENZY-
Live at the 100 Club (Raucous Records)
Live
recording from 1986 with one of the most essential bands from the
80's psychobilly sounds.
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Usually
I'm a little wary of live uptakes, since the poor recording seldom does
the band justice.
Here I'm totally down with it � Frenzy's fits of frustration couldn't
be captured in a more engaging way. The album twists on with the immediate
"I See Red" and howls its way through another 45 minutes, ending
with another monster � "Robot Riot". Do I hear echoes of The
Damned? Also features a catchy version of "Love is the Drug"
by Roxy Music, kidnapped into billy territory.
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